Music for Transport and Displacement was a performance by Natalie Hogue at Myymälä2 Gallery in Helsinki FI. The performance exhibits a number of extant and unreleased works, all surrounding the concepts of mobility access, built environments, and the displacement of peoples due to gentrification and far-right political reactionism.
Documentation of Being In the Way: an art and music installation exhibited at Berklee College of Music December 10th-11th 2022.
An array of sensors, measuring the proximity and air-quality-signatures of human presence, influences a probabilistic musical composition meant to reflect the human presence in the installation space.
Student in the Microtonal Music Studios Program for the 2022-2023 session, at Myymälä2 Gallery in Helsinki FI. Under the direction of Dr Timo Tuhkanen
Special Thanks to visiting artists:
Nicolina Stylianou
Hans-Gunter Lock
Marc Sabat
Shinji Kanki
Diemo Scharz
Dewa Alit
and Fellow Students:
Tuce Alba
Anna Hakula
Miika Lehto
Merihieni Luoto
Mateo Mena
Alex Raitanen
Teemu Ruissalo
Jarkko Räsänen
Zuzu Zakaria
Performance at the New England Synthesizer Festival on October 29th 2022 featuring visuals by Merritt Schwartz.
Collapse In Real Time is a LiveCoded piece written in SuperCollider, and based on material from Public Transportation Music. The piece explores themes of climate change environmental collapse, as well as additive audio synthesis and extended just-intonation harmony.
Public Transportation Music is both an ode to my fascination with the technology that makes Public Transportation systems possible, and an exploration of my feelings surrounding things like climate change and car culture, as well as isolation due to covid, and the loss of a friend. Released in July 2021, Public Transportation Music has received recognition for Berklee College of Music's "Public Service Through Music" Scholarship, and has been streamed internationally.
Hi!
My name is Natalie Hogue, I am an electronic musician, sound designer, producer, and audio engineer.
Currently based in Boston MA, I live with my partner, conceptual artist Ace Epstein, and our dog Winston.
My work exists at the intersection of music and technology. I have done extensive work with Digital Signal Processing and Creative Programming using software such as Max MSP and Supercollider, as well as more general Programming skills with Javascript and C.
I am a microtonalist, and am currently working remotely with the Microtonal Music Studios Program at the Myymala2 gallery in Helsinki FI. I am engaged with explorations of tuning theory and extended just intonation
Below is a small portfolio of my work, as well as the means to reach out for inquiries if you’d like to hire me, or discuss collaborating on a project together.